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List of unnamed tracks (KHIII): Difference between revisions

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Why new arrangements aren't on the original tracks' pages instead: Tracks like "Chains to Bonds" and "Return of the Titans" are simply new arrangements, but they are separate entities on the wiki. Also, this page is for unnamed tracks, and these arrangements are unnamed.
Why new arrangements aren't on the original tracks' pages instead: Tracks like "Chains to Bonds" and "Return of the Titans" are simply new arrangements, but they are separate entities on the wiki. Also, this page is for unnamed tracks, and these arrangements are unnamed.
Short tracks that accompany each world's introductory logo are not included.


The placeholder file naming scheme is "Untitled {Cutscene Name} KHIII.ogg" (using only the cutscene name causes conflicts, e.g. "Return of the Titans").
The placeholder file naming scheme is "Untitled {Cutscene Name} KHIII.ogg" (using only the cutscene name causes conflicts, e.g. "Return of the Titans").
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{{-}}
{{-}}
==Return of the Titans==
==Return of the Titans==
===First Track===
{{Listen
|songname=Return of the Titans
|filename=Unnamed Return of the Titans 01 KHIII.ogg
}}
This is a short fanfare that accompanies the world logo of [[Olympus]]. It incorporates elements of "{{c|Olympus Coliseum|track}}".
;Appearances
*[[Olympus]]: "Return of the Titans"
===Second Track===
{{Listen
{{Listen
  |songname=Return of the Titans
  |songname=Return of the Titans
  |filename=Unnamed Return of the Titans KHIII.ogg
  |filename=Unnamed Return of the Titans 02 KHIII.ogg
}}
}}
This is a lighter arrangement of "[[Villains of a Sort]]". It consists entirely of strings, with plucked notes accenting the main bowed melody.
This is a lighter arrangement of "[[Villains of a Sort]]". It consists entirely of strings, with plucked notes accenting the main bowed melody.
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===Second track===
===Second track===
{{Listen
{{Listen
  |songname=CUTSCENENAME
  |songname=Smell Ya Later
  |filename=Unnamed Smell Ya Later 02 KHIII.ogg
  |filename=Unnamed Smell Ya Later 02 KHIII.ogg
}}
}}
Line 399: Line 408:
===Third track===
===Third track===
{{Listen
{{Listen
  |songname=CUTSCENENAME
  |songname=Smell Ya Later
  |filename=Unnamed Smell Ya Later 03 KHIII.ogg
  |filename=Unnamed Smell Ya Later 03 KHIII.ogg
}}
}}
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;Appearances
;Appearances
*[[Keyblade Graveyard]]: "The Organization's Origins"
*[[Keyblade Graveyard]]: "The Organization's Origins"
==Running Out of Sea==
{{Listen
|songname=Running Out of Sea
|filename=Unnamed Running Out of Sea KHIII.ogg
}}
The first part of this track is an arrangement of "[[No Time to Think]]", with emphasis placed on the low brass and percussive hits. After about 12 seconds, this section gives way to the theme that accompanies the world logo of [[The Caribbean]], which incorporates elements of "[[Hearts of Courage]]".
;Appearances
*[[The Caribbean]]: "Running Out of Sea"
==The Dead Man's Chest==
{{Listen
|songname=The Dead Man's Chest
|filename=Unnamed The Dead Man's Chest KHIII.ogg
}}
This is an arrangement of "[[Drops of Poison]]". While the supporting instruments are much softer compared to the original, reducing the dissonance of the track, it retains the unsettling tone of the original arrangement.
;Appearances
*[[The Caribbean]]: "The Dead Man's Chest"
==That's Desertion!==
{{Listen
|songname=That's Desertion!
|filename=Unnamed That's Desertion! KHIII.ogg
}}
This is a brief track, about 25 second long. The first half is triumphant and similar in composition and instrumentation to "[[The Victorious]]", while the second half is more quiet and mysterious.
;Appearances
*[[The Caribbean]]: "That's Desertion!"
==Parley with Luxord==
{{Listen
|songname=Parley with Luxord
|filename=Unnamed Parley with Luxord KHIII.ogg
}}
This piece is an arrangement of "[[Strange Whispers]]". It alternates twice between a soft section with strings and a louder section which features brass and male choir, with the second half adding piano to both sections.
;Appearances
*[[The Caribbean]]: "Parley with Luxord"
==Atonement==
{{Listen
|songname=Atonement
|filename=Unnamed Atonement KHIII.ogg
}}
This is an energetic arrangement of "[[Apprehension]]". The melody is played by strings over light percussion and a new rhythmic string foundation. Brass accents and cymbals are added as the piece climaxes.
;Appearances
*[[Twilight Town]]: "Atonement"
==The AR Device==
{{Listen
|songname=The AR Device
|filename=Unnamed The AR Device KHIII.ogg
}}
This is a very short theme based on the melody of "{{c|Sora|track}}", lasting only about five seconds.
;Appearances
*[[San Fransokyo]]: "The AR Device"
==Finding an Edge==
{{Listen
|songname=Finding an Edge
|filename=Unnamed Finding an Edge KHIII.ogg
}}
This is an arrangement "{{c|Sora|track}}" with electronic touches. It is very similar in composition to "[[Hero Upgrade]]", which plays immediately following this theme.
;Appearances
*[[San Fransokyo]]: "Finding an Edge"
==Upgraded==
===First Track===
{{Listen
|songname=Upgraded
|filename=Unnamed Upgraded 01 KHIII.ogg
}}
This piece is an arrangement of "[[Road to a Hero]]". It has significantly less percussion than the original, while adding electronic flourishes to the piece.
;Appearances
*[[San Fransokyo]]: "Upgraded"
===Second Track===
{{Listen
|songname=Upgraded
|filename=Unnamed Upgraded 02 KHIII.ogg
}}
This is a subdued arrangement of "[[Strange Whispers]]". Instrumentation primarily consists of piano and synth, giving an almost muffled feel.
;Appearances
*[[San Fransokyo]]: "Upgraded"
==Making Up the Difference==
{{Listen
|songname=Making Up the Difference
|filename=Unnamed Making Up the Difference KHIII.ogg
}}
This track is an arrangement of "[[Distant from You...]]". It shares an identical piano line to the first part of "[[Baymax Rebooted]]", which is also an arrangement of "Distant from You...", but differs from that piece in where the string, flute, and clarinet parts accompany the piano.
;Appearances
*[[San Fransokyo]]: "Making Up the Difference"
==Enter the Supervillain==
{{Listen
|songname=Enter the Supervillain
|filename=Unnamed Enter the Supervillain KHIII.ogg
}}
This is a haunting arrangement of "[[Strange Whispers]]". An added guitar, a distant vocal line, and the gradual growth of an electronic beat make this piece mysterious and unnerving.
;Appearances
*[[San Fransokyo]]: "Enter the Supervillain"
==A Riku From the Past?==
{{Listen
|songname=A Riku From the Past?
|filename=Unnamed A Riku From the Past? KHIII.ogg
}}
This piece is an arrangement of "[[Xehanort -The Early Years-]]". The melody is played on strings, while the electronic feel of the original backing has been toned down.
;Appearances
*[[San Fransokyo]]: "A Riku From the Past?"
==Braving the Darkness==
{{Listen
|songname=Braving the Darkness
|filename=Unnamed Braving the Darkness KHIII.ogg
}}
This track begins as an arrangement of "{{c|Sora|track}}" before shifting to the melody of "[[Dearly Beloved]]" about halfway through. Overall, the piece has a hopeful and relieved tone.
;Appearances
*[[Realm of Darkness]]: "Braving the Darkness"


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Revision as of 17:13, 29 November 2022

The following is a list of music tracks introduced in Kingdom Hearts III and Kingdom Hearts III Re Mind that have not been released on an official album. Many of these tracks are arrangements of existing Kingdom Hearts songs, while others either incorporate elements from previous tracks or are wholly original compositions. As all of these tracks are untitled, the name of the cutscene they first appear in is used to distinguish them. Unless otherwise noted, the arranger of each individual track is unknown.


Gambit

Gambit

This piece is a tranquil piano solo. The first half is an arrangement of "Destiny's Union", while the second half incorporates elements from the melody of "Dearly Beloved". The melody returns to "Destiny's Union" for the track's conclusion.

Appearances

Prelude to Adventure

First track

Prelude to Adventure

This is a calm arrangement of "Magical Mystery". It led by piano with a constant string backing; instrumentation also includes plucked strings, horns, and bells. This same arrangement appears in the cutscene "A Fresh Start" with an additional dramatic introduction that lasts about 25 seconds.

Appearances

Second track

Prelude to Adventure

The track is a brief arrangement of "Sora", lasting about 25 seconds. While its instrumentation is similar to the original track, this version omits the melody, leaving only the supporting voices.

Appearances

Third track

Prelude to Adventure

This is a calm and playful arrangement of "Sora". The main melody is played by a flute and violin, while other voices include strings, piano, and clarinet.

Appearances

Fourth track

Prelude to Adventure

This arrangement of "Hand in Hand" is brief and triumphant. It is similar in instrumentation to the original version of the track.

Appearances

Return of the Titans

First Track

Return of the Titans

This is a short fanfare that accompanies the world logo of Olympus. It incorporates elements of "Olympus Coliseum".

Appearances

Second Track

Return of the Titans

This is a lighter arrangement of "Villains of a Sort". It consists entirely of strings, with plucked notes accenting the main bowed melody.

Appearances

Maleficent's Desire

Maleficent's Desire

The first part is an arrangement of "No Time to Think", lasting for shortly over 20 seconds. The remaining 40 seconds of the piece contains an original melody that incorporates parts of "Olympus Coliseum". The track begins frantic and energetic and gradually becomes more triumphant as it approaches the climax.

Appearances

The Collapsing Building

The Collapsing Building

This track is suspenseful and energetic. The piece incorporates the melodies of "Olympus Coliseum" and "Hand in Hand", both transposed to a minor key. The instrumentation consists of brass, strings, and marching percussion.

Appearances

Xigbar's Admonition

First track

Xigbar's Admonition

This track is primarily based on "No Time to Think", with similar instrumentation to the original. Brass instruments layer on the melody of "Olympus Coliseum" in a minor key.

Appearances

Second track

Xigbar's Admonition

This is an arrangement of "Organization XIII". It incorporates parts of the string accompaniment from "Xigbar", itself an arrangement of "Organization XIII". The melody is passed between piano, strings, and a choir section led by a female voice.

Appearances

Olympus's Splendor

Olympus's Splendor

The piece is an entirely original composition of about 20 seconds. It is cheerful fanfare led by brass, choir, and strings.

Appearances

Showdown with the Titans

Showdown with the Titans

This is a medley of "Road to a Hero", "Villains of a Sort", and "Hand in Hand", with an original melody woven throughout. The instrumentation consists of brass, strings, and percussion.

Appearances
  • Olympus: "Showdown with the Titans"

A Sore Loser

A Sore Loser

This first 30 seconds of this track is an arrangement of "The Deep End", while the remainder of the piece switches between an original melody and sections based on "Olympus Coliseum", with a hint of the melody of "Villains of a Sort". Like much of the fanfare in Olympus, this piece is led by brass, strings, and percussion.

Appearances

Where He Belongs

Where He Belongs

This is an arrangement of "Olympus Coliseum". It is about a minute long; the first half stays close to the original arrangement, while the second half works the melody into a triumphant conclusion.

Appearances

A Fresh Start

First track

A Fresh Start

This is an original composition. It is playful in tone, consisting of a cheerful flute melody and light string support.

Appearances

Second track

A Fresh Start

This track is an arrangement of "Aqua". Like the original, it is a somber piece. This version has lighter instrumentation, consisting only of piano and strings.

Appearances

Third track

A Fresh Start

After a brief introduction based on the melody of "Sora", this piece transitions into an original composition. It is a collected piece led by strings and piano.

Appearances

Fourth track

A Fresh Start

This is an arrangement of "Sora" with certain phrases transposed to a minor key, building tension in an otherwise light and cheerful arrangement. After about 50 seconds, the piece becomes an arrangement of "Link to All". The first part is performed by flute, strings, piano, and percussion, while the second part uses clarinet, strings, and piano.

Appearances

Heart Within a Heart

Heart Within a Heart

This track is an arrangement of "Shipmeisters' Humoresque", lasting about one minute. It is similar in tone and instrumentation to the original song.

Appearances

The First of the Xehanorts

First track

The First of the Xehanorts

This is an entirely original composition, about 25 seconds in length. It has a playful introduction and incorporates brass, strings, and cymbals.

Appearances
  • Toy Box: "The First of the Xehanorts"

Second track

The First of the Xehanorts

This track alternates between sections based on "Xehanort" and an original melody. It begins as an unsettling piece before shifting to a more battle-like tone. The ending incorporates the melody of "Sora".

Appearances
  • Toy Box: "The First of the Xehanorts"

Rex Impresses

Rex Impresses

This is a brief arrangement of "No Time to Think", shortly over 20 seconds long. The percussion and string melody pause around halfway through the piece, leaving only a sustained dissonance on the supporting strings, before all instruments return for the track's conclusion.

Appearances

Buzz's Doubts

Buzz's Doubts

This is an original piece, forlorn in nature. Strings are the main focus, supported by piano and muted brass.

Appearances

Not Buzz, Too!

Not Buzz, Too!

This track is a new version of "Shaded Truths", arranged by Takeharu Ishimoto. It is similar in style and instrumentation to the original piece.

Appearances

Marluxia's Request

Marluxia's Request

This is an arrangement of "Thirteenth Discretion". It is lighter than the original song, but still mysterious in tone.

Appearances

The New Seven Hearts

The New Seven Hearts

The first part of this track is an arrangement of "Drops of Poison", while the second half is a calmer original melody.

Appearances

To the Tower!

First track

To the Tower!

This piece is an original composition. The introduction of the piece is dramatic and incorporates elements of "Happy Hair Day" in a minor key, while the second half is far calmer. After a brief pause, the track concludes with a short phrase based on "Laughter and Merriment".

Appearances

Second track

To the Tower!

This track is an arrangement of "Sora". The accompaniment is played in a higher octave than the original, giving this version of the song a lighthearted feel.

Appearances

Third track

To the Tower!

The introduction of this piece incorporates parts of "Happy Hair Day" in a minor key, while the remainder is an original melody. It is a tense and energetic composition.

Appearances

Doesn't Sound Very Caring

First track

Doesn't Sound Very Caring

This is a fun and jazzy composition which incorporates elements of "Monstropolis Now". Instrumentation consists of piano, saxophone, muted horns, strings, and drum set.

Appearances

Second track

Doesn't Sound Very Caring

This track is an arrangement of "Laughter and Merriment". It keeps the playful tone and adds a flute countermelody. While the version in the cutscene "Doesn't Sound Very Caring" ends abruptly, leading into a dissonant string note as the conclusion, the song is played in full in "Enter the Black Coat", allowing the brass-led conclusion to be heard.

Appearances
  • Monstropolis: "Doesn't Sound Very Caring", "Enter the Black Coat"

Randall's Revenge

Randall's Revenge

This is a lighter arrangement of "Broken Reality", with similar instrumentation to the original song. While the arrangement loops in the cutscene "Randall's Revenge", the version in "Enter the Black Coat" resolves the tension of the piece with an added conclusion.

Appearances

A Splash of Color

A Splash of Color

This piece is an arrangement of "Innocent Times". The tone and instrumentation is similar to the original arrangement.

Appearances

Boo the MVP

Boo the MVP

This track is an original composition with a lighthearted tone. The piece's instrumentation is almost entirely strings, with an occasional clarinet or bell interjection.

Appearances

Enter the Black Coat

Enter the Black Coat

This track is an arrangement of "Shaded Truths", arranged by Takeharu Ishimoto. It places slightly more emphasis on the driving percussion, but is otherwise similar in instrumentation and feel to the original song.

Appearances

Smell Ya Later

First track

Smell Ya Later

This is a short original composition, about 25 seconds in length. The piece is generally playful, with strings, flute, clarinet, and mallet percussion; brass joins the instrumentation for the dramatic conclusion.

Appearances

Second track

Smell Ya Later

This track is an original composition that loosely incorporates elements of "Monstropolis Now". The first portion of the piece has the melody played on strings and flute over a plucked string foundation, with brass and percussion joining for a triumphant ending.

Appearances

Third track

Smell Ya Later

This is a short upbeat track, about 20 seconds long. Instrumentation consists of flute, strings, and trombone.

Appearances

Extermination Complete

Extermination Complete

This track is an arrangement of "Monstropolis Now". The first half is lighter in instrumentation, creating a carefree tone, while the second half adds brass to the strings, piano, and woodwinds of the first section to create an exultant finale.

Appearances

The Ice Palace

The Ice Palace

This track is an arrangement of "Shaded Truths", arranged by Takeharu Ishimoto. The track begins with an unsettling tone, like the original, but becomes more and more frantic as the piece approaches the conclusion.

Appearances

Thirteen Darknesses

Thirteen Darknesses

This is an original composition which incorporates elements of "Frozen Wonderland". It begins somber, with a solo piano over strings, before adding flute, clarinet, bells, chimes, and eventually brass and cymbals for the piece's ending.

Appearances

An Unexpected Encounter

An Unexpected Encounter

This track is an arrangement of "The Deep End". It begins with piano, strings, and metronomic percussion, building up suspense until the full instrumentation kicks in with a battle-like feel closer to the original piece.

Appearances

The Organization's Origins

The Organization's Origins

This piece is an arrangement of "Organization XIII". It is similar in tone to the original track, while the vocal line of the original has been replaced with strings.

Appearances

Running Out of Sea

Running Out of Sea

The first part of this track is an arrangement of "No Time to Think", with emphasis placed on the low brass and percussive hits. After about 12 seconds, this section gives way to the theme that accompanies the world logo of The Caribbean, which incorporates elements of "Hearts of Courage".

Appearances

The Dead Man's Chest

The Dead Man's Chest

This is an arrangement of "Drops of Poison". While the supporting instruments are much softer compared to the original, reducing the dissonance of the track, it retains the unsettling tone of the original arrangement.

Appearances

That's Desertion!

That's Desertion!

This is a brief track, about 25 second long. The first half is triumphant and similar in composition and instrumentation to "The Victorious", while the second half is more quiet and mysterious.

Appearances

Parley with Luxord

Parley with Luxord

This piece is an arrangement of "Strange Whispers". It alternates twice between a soft section with strings and a louder section which features brass and male choir, with the second half adding piano to both sections.

Appearances

Atonement

Atonement

This is an energetic arrangement of "Apprehension". The melody is played by strings over light percussion and a new rhythmic string foundation. Brass accents and cymbals are added as the piece climaxes.

Appearances

The AR Device

The AR Device

This is a very short theme based on the melody of "Sora", lasting only about five seconds.

Appearances

Finding an Edge

Finding an Edge

This is an arrangement "Sora" with electronic touches. It is very similar in composition to "Hero Upgrade", which plays immediately following this theme.

Appearances

Upgraded

First Track

Upgraded

This piece is an arrangement of "Road to a Hero". It has significantly less percussion than the original, while adding electronic flourishes to the piece.

Appearances

Second Track

Upgraded

This is a subdued arrangement of "Strange Whispers". Instrumentation primarily consists of piano and synth, giving an almost muffled feel.

Appearances

Making Up the Difference

Making Up the Difference

This track is an arrangement of "Distant from You...". It shares an identical piano line to the first part of "Baymax Rebooted", which is also an arrangement of "Distant from You...", but differs from that piece in where the string, flute, and clarinet parts accompany the piano.

Appearances

Enter the Supervillain

Enter the Supervillain

This is a haunting arrangement of "Strange Whispers". An added guitar, a distant vocal line, and the gradual growth of an electronic beat make this piece mysterious and unnerving.

Appearances

A Riku From the Past?

A Riku From the Past?

This piece is an arrangement of "Xehanort -The Early Years-". The melody is played on strings, while the electronic feel of the original backing has been toned down.

Appearances

Braving the Darkness

Braving the Darkness

This track begins as an arrangement of "Sora" before shifting to the melody of "Dearly Beloved" about halfway through. Overall, the piece has a hopeful and relieved tone.

Appearances