KH1 icon.png
FM1 icon.png
KHHD icon.png
KH1+2HD icon.png

March Caprice for Piano and Orchestra

From the Kingdom Hearts Wiki, the Kingdom Hearts encyclopedia
Revision as of 13:46, 28 June 2020 by Xion4ever (talk | contribs) (I am unsure of how in-detail we want the composition section. For simplicity and getting to the point, I believe this covers it well enough.)
Jump to navigationJump to search
Kingdom Hearts
March Caprice for Piano and Orchestra
Theme Notes.png
Arranger Kaoru Wada
Composer Yoko Shimomura
Length 5:13
Kingdom Hearts HD 1.5 ReMIX
March Caprice for Piano and Orchestra
Theme Notes.png
This file doesn't exist. Perhaps you could help us by uploading it.
File:March Caprice for Piano and Orchestra KHHD.ogg
Arranger Kaoru Wada
Composer Yoko Shimomura
Length 5:13

"March Caprice for Piano and Orchestra" is a musical composition by Yoko Shimomura with orchestrations by Kaoru Wada. It is used in Kingdom Hearts.

Appearances

"March Caprice for Piano and Orchestra" plays during the ending credits of Kingdom Hearts.

Composition

"March Caprice for Piano and Orchestra" is approximately five minutes and thirteen seconds long in Kingdom Hearts and the HD remake of Kingdom Hearts Final Mix. Encompassing both new and previous themes, the piece changes tempo and key signatures at various moments throughout the piece, namely at the end.

For instrumentation, the piano is featured alongside the entire orchestra. The exclusivity of the piano is given in the title of the track. In music, both in general and historically, if a specific instrument is mentioned alongside "orchestra" or "band," that specific instrument is given many solos and/or is the dominate instrument or focus of the piece.

Overall the piece has a very pomp, grand, and majestic tone; serving its purpose as the ending credits music quite well. Although new independent themes are introduced in this track, the majority of the track is spent covering new arrangements of "Always on My Mind" and "Dearly Beloved."

In music, a caprice is a musical composition that is lively in tone and uses various forms. In this case, the original structures of "Always on My Mind" and "Dearly Beloved" are loosely used, instead offering new rhythmic variations and tonality. This independent interpretation allows for the themes to evolve into a higher level, now as a grand finale.

Albums