Working Together

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This new theme lasts for sixteen measures, in which the originally melody initially introduced by the strings is shared between the various mallet percussion and woodwind instruments. During this feature, the lower voiced brass and pitched percussion instruments play a continued eighth-note rhythmic figure that slightly resembles the low brass part in [[Neverland Sky]].

Promptly following the second theme is a more connected, legato-style melody. Here, at such a tempo and use of rhythms, the piece can be felt in the established fast 4/4, or, more preferably, in half-time. Throughout the piece, certain instrument-specific techniques are used, such as: pizzicato style in the strings, multiple tonguing- in this case, double tonguing- in the trumpets, and use of rolls for mallet percussion. The piano collections version features a variety of ornamentations and key changes to add to the "elaborate" or "lively" nature. Likewise, the piano version shares the melody sporadically between the bass and treble voices.

Promptly following the second theme is a more connected, legato-style melody, which is a variant of "[[Dearly Beloved]]". Here, at such a tempo and use of rhythms, the piece can be felt in the established fast 4/4, or, more preferably, in half-time. Throughout the piece, certain instrument-specific techniques are used, such as: pizzicato style in the strings, multiple tonguing- in this case, double tonguing- in the trumpets, and use of rolls for mallet percussion. The piano collections version features a variety of ornamentations and key changes to add to the "elaborate" or "lively" nature. Likewise, the piano version shares the melody sporadically between the bass and treble voices.

==Albums==

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@@ Line 70: / Line 70: @@
 This new theme lasts for sixteen measures, in which the originally melody initially introduced by the strings is shared between the various mallet percussion and woodwind instruments. During this feature, the lower voiced brass and pitched percussion instruments play a continued eighth-note rhythmic figure that slightly resembles the low brass part in [[Neverland Sky]].
-Promptly following the second theme is a more connected, legato-style melody. Here, at such a tempo and use of rhythms, the piece can be felt in the established fast 4/4, or, more preferably, in half-time. Throughout the piece, certain instrument-specific techniques are used, such as: pizzicato style in the strings, multiple tonguing- in this case, double tonguing- in the trumpets, and use of rolls for mallet percussion. The piano collections version features a variety of ornamentations and key changes to add to the "elaborate" or "lively" nature. Likewise, the piano version shares the melody sporadically between the bass and treble voices.
+Promptly following the second theme is a more connected, legato-style melody, which is a variant of "[[Dearly Beloved]]". Here, at such a tempo and use of rhythms, the piece can be felt in the established fast 4/4, or, more preferably, in half-time. Throughout the piece, certain instrument-specific techniques are used, such as: pizzicato style in the strings, multiple tonguing- in this case, double tonguing- in the trumpets, and use of rolls for mallet percussion. The piano collections version features a variety of ornamentations and key changes to add to the "elaborate" or "lively" nature. Likewise, the piano version shares the melody sporadically between the bass and treble voices.
 ==Albums==