Editing Enter the Void
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{{Game|BBS|FMB}} | {{Game|BBS|FMB|HD2}} | ||
{{ | {{Listen | ||
| | |filename=Enter the Void KHBBS.ogg | ||
| | |songname=Enter the Void | ||
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'''Enter the Void''' is a piece that was composed by Takeharu Ishimoto for ''[[Kingdom Hearts Birth by Sleep]]''. It plays when battling the [[Vanitas Remnant]]. | |||
==Composition== | ==Composition== | ||
Enter the Void is approximately two minutes and twenty-seven seconds in length and plays at a strict 160 beats per measure throughout. It has a time signature of 4/4. The instrumentation consists of a full string orchestra, flute, low brass, trumpets, piano, drumset, concert toms, and suspended and crash cymbals. It is written in the key of e minor. <!--synth?--> | |||
This piece has three distinct parts: an introduction from the beginning to 1:27 which introduces the main theme, a short transition from 1:27 to 1:52, and a reprise of the main theme from 1:52 to the end. It loops immediately into measure twenty upon conclusion. | This piece has three distinct parts: an introduction from the beginning to 1:27 which introduces the main theme, a short transition from 1:27 to 1:52, and a reprise of the main theme from 1:52 to the end. It loops immediately into measure twenty upon conclusion. | ||
As with many ''Kingdom Hearts'' instrumental tracks, a solo piano is clearly heard as a supporting line, as heard at 0:15 and 1:39. The main melody is handed off between upper and lower voices, such as at 0:15, when a solo violin has the melody and then hands it off to trombones at 0:27. Overall, the melody is rather simplistic and is embellished by | As with many ''Kingdom Hearts'' instrumental tracks, a solo piano is clearly heard as a supporting line, as heard at 0:15 and 1:39. The main melody is handed off between upper and lower voices, such as at 0:15, when a solo violin has the melody and then hands it off to trombones at 0:27. Overall, the melody is rather simplistic and is embellished by the percussion drumkit and cymbals. The transition features four flowing piano octave tremolos juxtaposed next to a short trumpet soli in strict eighth notes. The reprise follows the same chord structure as the introduction, with simpler lines handed off more frequently between voices. | ||
One of this piece's main features is the usage of several syncopated rhythms. The most prevalent of these rhythms consists of strong beats on counts one and two-and-a-half. This line is not always carried in the lower voices, as occasionally it transfers to violins and trumpets from low brass and strings, but it provides a driving rhythm for the entire piece. | One of this piece's main features is the usage of several syncopated rhythms. The most prevalent of these rhythms consists of strong beats on counts one and two-and-a-half. This line is not always carried in the lower voices, as occasionally it transfers to violins and trumpets from low brass and strings, but it provides a driving rhythm for the entire piece. | ||
[[Category:Music]] | |||
