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Enter the Void: Difference between revisions
Do you want me to get as technical as the Duel of the Fates article?
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One of this piece's main features is the usage of several syncopated rhythms. The most prevalent of these rhythms consists of strong beats on counts one and two-and-a-half. This line is not always carried in the lower voices, as occasionally it transfers to violins and trumpets from low brass and strings, but it provides a driving rhythm for the entire piece. | One of this piece's main features is the usage of several syncopated rhythms. The most prevalent of these rhythms consists of strong beats on counts one and two-and-a-half. This line is not always carried in the lower voices, as occasionally it transfers to violins and trumpets from low brass and strings, but it provides a driving rhythm for the entire piece. | ||
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==Summary== | |||
This piece has three distinct parts: an introduction from the beginning to 1:27 which introduces the main theme, a short transition from 1:27 to 1:52, and a reprise of the main theme from 1:52 to the end. It loops immediately into measure twenty upon conclusion. | This piece has three distinct parts: an introduction from the beginning to 1:27 which introduces the main theme, a short transition from 1:27 to 1:52, and a reprise of the main theme from 1:52 to the end. It loops immediately into measure twenty upon conclusion. | ||